Gold 200 has a character that's hard to fake. A warmth that leans into golden hour without tipping over into orange, greens that stay rich and slightly heightened, highlights that roll off gently rather than clipping hard, and a grain structure that's fine enough to stay out of the way but present enough to remind you this is film.
It's a stock that rewards good light. Expose it correctly and it gives you something that feels genuinely analog in a way that's difficult to put into words and easy to recognize in a print.
We shoot Gold 200 regularly, and that hands-on familiarity is what drove this preset. Colors, contrast, and grain dialed to match how the film actually behaves when the light is right. It won't replace a roll of the real thing. But it'll make people ask what you shot it on.
Includes the preset, modifiers, and a user guide. Works with any camera system.
Gold 200 has a character that's hard to fake. A warmth that leans into golden hour without tipping over into orange, greens that stay rich and slightly heightened, highlights that roll off gently rather than clipping hard, and a grain structure that's fine enough to stay out of the way but present enough to remind you this is film.
It's a stock that rewards good light. Expose it correctly and it gives you something that feels genuinely analog in a way that's difficult to put into words and easy to recognize in a print.
We shoot Gold 200 regularly, and that hands-on familiarity is what drove this preset. Colors, contrast, and grain dialed to match how the film actually behaves when the light is right. It won't replace a roll of the real thing. But it'll make people ask what you shot it on.
Includes the preset, modifiers, and a user guide. Works with any camera system.
Kodak Gold 200 on Leica M6
VGP Gold 200 on Leica M10R
RAW File on Leica M10R
